The casting of Cynthia Erivo, a Black and queer actress and singer, as Jesus Christ in the three-night performance of the renowned musical Jesus Christ Superstar at Hollywood Bowl, Los Angeles in summer 2025 sparked a wave of both positive and negative reactions on social media and in the press. The appearance of Adam Lambert, a celebrated singer and minority rights activist, as Judas further heightened the attention to this production.
Reactions and Criticism of Cynthia Erivo’s Casting
The initial reactions came mainly from conservative groups and religious circles who deemed the choice of a Black queer woman to play Christ as offensive and incompatible with their faith. Many users on platforms such as Twitter and TikTok voiced strong criticism, with some even labeling her as “blasphemous” and deserving of divine wrath.
On the other hand, supporters and many theatre enthusiasts considered these criticisms to be rooted in racial and gender biases and praised the production team’s innovation. From this group’s perspective, theatre and musicals should challenge traditional boundaries and preconceptions, broadening audiences’ worldviews.
Artists’ Responses to the Criticism
Adam Lambert, in interviews with major outlets like Billboard, strongly defended Cynthia Erivo, saying: “I’m excited to be part of a production inviting audiences to witness a ‘female, Black Jesus’ and I hope it encourages people to open their minds.” Lambert also added: “Jesus Christ Superstar has always been meant to make audiences think, and Christ’s teachings should transcend gender.”
Cynthia Erivo, in a calm and witty interview, said: “Why not? You can never please everyone. This is just a three-night run at the Hollywood Bowl, and I get to showcase my talent. I hope audiences understand it’s just a musical, the happiest place on earth!”
A Brief Look at the History of Jesus Christ Superstar
The musical Jesus Christ Superstar has been famous since its debut in 1971 for challenging religious storytelling stereotypes and offering a modern interpretation of Jesus’s life. Its various productions often casting women, people of color, or queer performers in leading roles have repeatedly pushed the boundaries of theatre and engaged audiences in new ways.
Conclusion
The 2025 Hollywood Bowl production starring Cynthia Erivo once again reminded audiences of the musical’s central aim: to challenge and provoke discussion, regardless of gender, race, or sexuality. While some still see it as controversial and offensive, many believe that art is most impactful when it encourages society to think more deeply and embrace differences. The artists’ responses not only invalidated bigoted concerns but also highlighted theatre as a prime forum for cultural dialogue.
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